“No one sleeps in this room without

the dream of a common language”

ADRIENNE RICH

The Premise

Born of a desire to bring the many members of the North Texas poetry community into conversation with each other, The Common Language Project places participants in the same room and turns them loose to dream. United by a list of shared words and confined only by the space of a page, the poems of the project illuminate a collection of radically divergent experiences that sing, simmer and singe. Together, these poems give us a place to come together, somewhere from which we can start, from which we can thrive.
The theme of this year's Common Language Project is Time. Impartial or racing, stretching away or frozen, the very measure of existence can be simultaneously cosmic and instantaneous. We invite you to wield the power of its wheel, bend a universal arc, capture a single moment; hide a secret within history or shine a light of truth that only time can tell.

Guidelines

Submissions are open to anyone. Thirty winners will be selected for publication in the Common Language Project 2026 anthology, which will be available for free download. Hard copies will be available for purchase. Winners will also be invited to share their work at the Common Language Project reading during the Dallas Is Lit! literary festival, held May 9th, 2026.
  • SUBMISSIONS ARE NOW CLOSED.
  • All thirty keywords must be used.
  • The keywords may be used in any order but without changes in tense or form (for example, using "lustrous" instead of "luster" or "smile" instead of "smiling" would not count toward the thirty keywords). Changes in capitalization or the use of italics are fine.
  • The poem must be no more than thirty lines of text in length (excludes title).
  • Submissions will be presented to our judges anonymously. Please do not include your name anywhere in the text of your submission document.
  • Once you have submitted your poem (see guidelines and where to submit in the next section), you will be prompted to fill out a google form with relevant information. You must fill out this form to complete your submissionInformation required in the form includes the title of your poem, your name, contact information, bio, and demographic info (not required but appreciated).
  • The Common Language Project is open to all ages, and we hope all ages of readers and writers will participate in the contest and read the anthology. Work with extreme language, violence or adult content will not be considered.
  • No multiple submissions. Only the first submission will be accepted.
  • You may not re-submit without invitation.
  • Submissions close March 31st at 11:59pm CDT.

Submission Formatting

In a contest where restrictions are part of the pleasure of the work, we've set formatting guidelines to help make sure that if your poem is chosen for publication, there is minimal disturbance to how it appears on the page as a result of formatting. We appreciate your understanding and cooperation.
  • Poems should be submitted in Times New Roman font, 11 point.
  • Page margins should be set to 2-inches on the left and right, and 1-inch top and bottom. If you're working in Microsoft Word, this is the "Wide" margin setting (under the "Layout" menu); if you're working in Google Docs, you can change the settings under "Page Setup."
  • PLEASE EMAIL YOUR SUBMISSION TO [email protected]. Submissions should be formatted as .doc or .docx; submissions in other formats will not be judged.

30 Winners Receive

  • Publication in the Common Language Project 2026 anthology, and 2 contributor copies
  • $100 cash prize
  • Invitation to read their work at the Common Language Project reading during the Dallas Is Lit! literary festival, held May 9th, 2026

The Poems Of The Common Language Project: Time

“Ripening” Beth Ayers

“Angel” Adriana Barker

“Arrival on Violet Waters” Cameron Barth

“My Time” Monica Berry

“The Longest Distance” Barbara Blanks

“Five More Minutes”  Helen Chandler

“It's Okay to Admit You Were Wrong” Karen Cline-Tardiff

“All In A Moment” dès Anges Cruser

“A Grand Canyon” Lauren Dowdy

“Memoriam” Annie Christine Freshwater

“A Memory From 1AM” Josie Gepulle

“The Rush of Hours Holds Music” Valentina Gnup

“I Think of You Most in Spring” Emma Pearl Johnson

“(Signature) Elliott Time” Paul Koniecki

“Awaiting the Sunrise” Karen Krotzer

“Corro” M R Longoria

“Nine Months” Paulina López

“A Hunger for Immortality” Budd Powell Mahan

“Time Traveler” Ximena Montemayor-Luna

“The Body Remembers the Way Through” Qua Moore

“You Don't Go” Shannon Morley

“Speed Dial” Bradley Samore

“My friend, a geologist, once told me that time was a wave” Zeke Shomler

“Flint Hills Anti-Pastoral” Amanda Trout

“Still Life” Marcus Tsai

“This Is The Hour” Linda Vandlac Smith

“On the Trail” Katherine Whitworth

“Exit Signs” Ryan Wilde

“Another Day” Robert Wynne

“Liminality” Raychel Yearsley

The words of The Common Language Project: Time

ache
axis
binding
blue
branches
breaking
bright
catastrophes
clocked
closing
crack
dial
dragging
drawn
extension
fallow
fold
friction
interruption
marks
meter
quicken
rush
setting
tarnish
threshold
veer
wasted
woven
yield

The Common Language Project: Time Judges

Matt Baker

Matthew W. Baker is a poet and professor currently living in Dallas where he teaches Creative Writing and Literature at the University of Texas at Dallas. His research focuses on aesthetics and contemporary U.S. poetry. He is also the author of the chapbook Undoing the Hide’s Taut Musculature (FLP 2019), and other craft essays and poems appear in Gulf Stream Magazine, Cleaver, Muzzle Magazine, The Southern Review, and The Atlanta Review, among others.
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Amanda Johnston

Amanda Johnston is a writer, visual artist, and the 61st Poet Laureate of Texas. She earned an MFA in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key, as well as the full-length collection Another Way to Say Enter. She is also the editor of the anthology Praisesong for the People: Poems from the Heart and Soul of Texas. Her work has appeared in numerous online and print publications, among them Callaloo, Poetry Magazine, The Moth Radio Hour, Bill Moyers, The Rumpus, and elsewhere. She has received fellowships, grants, and awards from Cave Canem, Hedgebrook, Tasajillo, the Kentucky Foundation for Women, The Watermill Center, American Short Fiction, and the Academy of American Poets. She is a former Board President of the Cave Canem Foundation and the founder of Torch Literary Arts.
Nikon D7000

Hannah Smith

A Dallas native, Hannah Smith is the Poetry Editor at Deep Vellum and the Production Manager at Southwest Review. Her poems appear in Best New Poets, Gulf Coast, Prairie Schooner, Ninth Letter, Image Journal, and elsewhere. Hannah is the co-author of two collaborative chapbooks, Metal House of Cards (Finishing Line Press) and Astral Gaze (dancing girl press, forthcoming). Her writing has been supported by the Bread Loaf Writing Conference and Yaddo Residency.
Headshot_HannahSmith

The Common Language Project is made possible by the Moody Fund for the Arts.

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